REFRESH PART II

 This is a different kind of refresh.  Over the years I've written about museum days, those days when you can join any century mid-stream and hang out with Dutch Masters, French Impressionists, whomever you want.  What about today taking a break with Georgia O'Keeffe (1887-1986).

Earlier this spring we were in Santa Fe, New Mexico and visited the O'Keeffe museum and sights.  On assignment for LOOK magazine (anyone remember LOOK?), photographer Tony Vaccaro took this picture of O'Keeffe in 1960 in her Abiquiú house.

Most of us think of O'Keeffe as the person who painted large flowers.  The artist disputed male critics who saw the blooms as depictions of female genitalia. They're flowers, she said.  I make them large so you can see them.  We must agree.  What great female artist wants Freud as her muse?  An interpretation that is gendered and outdated.  Although for me as a woman, the idea of our bodies flowering can also be quite lovely. No contradiction, I think. 

Red Canna, 1919

Untitled Abstraction, 1970s

But her range is much wider.  This abstraction was painted when O'Keeffe was in her 90s and apparently reveals small hand tremors in the movement of the brush.  Then, years before, Geranium Leaves in a Pink Dish, 1938, so clear and round where the other shapes in Abstraction add curves and verticality.  

Oil on Wood Panel

Today we went to the North Carolina Museum of Art in Raleigh and found another O'Keeffe.  Art, poetry, music, the wind in the trees, orange and yellow leaves covering my back patio, chili in the crock pot, family coming to dinner--so many ways to refresh ourselves.  

 

Yesterday was NO KINGS and 7,000,000 people across America protested the authoritarian policies of Donald Trump.  Our demonstration in Durham was a wonder.  We were 7,000 marchers--one out of every 1000 demonstrators was right here in my city.

 

Thank you world.  I am refreshed.       Nina Naomi